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News from the Collective
Digital Tribulations, 1. A Pilgrimage in South America
I have always found it quite reasonable to think that the large-scale use of do-it-all machines produces collective value that deserves to be fairly distributed. In my cyborg anthropology, citizens, now emancipated thanks to the reprogrammable infrastructures that they always carry with them, are economically supported by the state to be able to contribute to […]
Interrupting Codes and Identities: Exhibition Review
There is something mesmerizing about the artworks currently exhibited at POST Arnhem. In the exhibition ‘Embodied Encryption’ you will find weirdly morphing videos of deepfake drag performances, abstract closeup visualizations of motherhood based on poetic scripts, and gender non-binary portraits generated from archive paintings of the Qajar dynasty. However, the exhibition in general does not […]
SO! Reads: Marisol Negrón’s Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings
I began reading Marisol Negrón’s Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings (Duke University Press, 2024) in earnest this summer, as Bad Bunny’s “NUEVAYol” flooded New York City streets. Whole generations of people had never heard El Gran Combo’s “Un Verano en Nueva York” (1975), perhaps not-coincidentally celebrating its fiftieth anniversary […]




