By Dr Alessandra Tosi, Managing Director and co-Founder of OBP
I never met Lionel in person, but I considered him a friend from the very start. We began corresponding over ten years ago when I, an academic in the throes of establishing an independent Open Access publishing initiative with no funding and from a borrowed desk, contacted Lionel to ask whether we could republish one of his well-known books on eighteenth-century French culture. At the time I was trying to kick-start our press by convincing a number of well-known scholars to allow us to reissue their work in free-to-read digital format, thus shattering the usual price and geographical barriers to knowledge. Lionel, with his trademark generosity and intellectual courage, offered this unknown academic, representing a press which hadn’t yet produced a single book, not one but two of his brand-new scholarly works. The first, Brownshirt Princess: A Study of the 'Nazi Conscience'was published in April 2009 as our first original monograph, followed closely by The Red Countess: Select Autobiographical and Fictional Writing of Hermynia Zur Mühlen (1883-1951), to which Lionel added new material for a revised edition in 2018.
It soon came out that Lionel was himself an early supporter of Open Access, having perceived how the digital age could finally free knowledge for all and bring academia down from its ivory tower. It emerged in our first email exchange that Lionel himself had seriously considered setting up a publishing venue for Open Access academic works when OA was still a ‘fringe’ concept, especially in the humanities.
More than anything, however, that first exchange sparked a warm friendship. Lionel’s kind-hearted messages, full of wit, modesty and, above all, an intellectual enthusiasm and a truly unique openness of mind, represented a steady source of encouragement and a much-needed injection of optimism over the years. I’ll miss him more than I can say.
I have done very little in my entire life except to follow, practice and teach journalism. From my early days in the practice of journalism until today, many things remain clear and incontestable to me and yet these same things are the subject of massive global debates. I will give you one example. Our news (ATL FM news) on the hour captures but a figment of the struggles and triumphs of the people of Cape Coast, the first capital city of Ghana. It is clear to me that we could not and we will never individually or together with all media houses capture the true image of the people of Cape Coast in our broadcast or printed pages or social media posts. Several reasons account for this.
First, journalists are guided fundamentally by mechanistic rules that knowingly or unknowingly evade what we call objective selection of the top events of the day which we will either write about or speak about. Second, beyond these mechanistic rules of journalism, other very important criteria relating to ownership, society and cultural milieu in which we operate significantly influence further selection. It is just impossible to see the news of the day as an objective assessment of the day’s events. Journalists and media practitioners who make such objective claims are just idealistically untrue to themselves. Write it down!
As journalists, we are involved in a very special translation of events into stories. We attempt to render events visibly to our audiences to the best of our knowledge. This translation hardly accommodates the pre-event circumstances which significantly determine why the events are occurring and with which severity. Our translations, with their weaknesses, are received by the audiences from a different lens. The reception process is something we cannot control but we can also not refute to have influenced it with our choice of words and images. In the nutshell, we are involved in a complicate practice that is far from been described as our objective assessment of the day.
But when it comes to Africa and her predominantly negative reportage around the world, a debate ensues which makes useless my previous understanding of the journalism practice. How could it be that the global journalists’ reliance on objective reportage of cultural milieus exonerates them from such complex journalistic translations I have explained? In any case, their form of translation is even more complex because they are highly incapable of understanding what they see because of the newness to the new culture. Why have we found pleasure in casting doubts about previous and continuous empirical evidence that continues to be adduced against the leading global press and their visible negative agenda? Could it be that representation in itself remains flawed as a concept and more so evident when one culture takes the centre stage in describing other cultures? Erik Bleich and his colleagues, earlier this year, have published research that has answered the empiricist calls. In fact, I was not surprised because I found several calls for empirical evidence far-fetched and I evaluated such calls as a form of rationalisation that promotes the establishment of a world order. A world order that keeps Africa under-reported and even the few reported stories must continue to be negative.
The Africa rising discourse leads a new wave of optimism about the continent’s image in the Northern press. A few books dealing with this topic over the years remain insightful, to a certain extent, but they equally created a gap by concentrating their empirical research largely on Western media.
In this book, I answer the question of how Africa’s so-called improved image has been mirrored around the world, particularly in one important country on the continent itself. First, a theoretical synergy that accounts for all the elements that make up the foreign news selection process. Second, analysing the African press to demonstrate the gravity of the rippling effects of centuries of Afro-pessimistic international communication order and ambivalences it has created when it comes to the continent’s reportage. I used Ghana as a case for the exploration of these topics. Third, accounting for details through a methodological fluidity with applications of Spradley’s ethnographic interview and David Altheide’s ethnographic content analysis (ECA) have cleared my doubts that empirical flaws have an account for previous research that concluded that Africa was negatively reported.
I have demonstrated in this book that Africa’s media image in Ghana is dominated by themes of war, crime, killings, crises, and terrorism. The African story is narrated with a negative tone and with significant reliance on global news organisations from the Northern hemisphere as sources. For the Ghanaian journalists and editors, harsh economic conditions and their cost-cutting rationale in the media business, plus proximity in journalistic ideology and the uneven power encounter in the colonial experience have aggravated the kind of coverage Africa gets even from her own continent.
In the aftermath of the chaotic coup-that-wasn’t incited by a Brady bunch of QAnon conspiracists, Proud Boys, and everyday American Trumpists on January 6, it appears that their newfound home, alternative (read: white supremacist-friendly) social platform Parler is in trouble. Amazon has dropped the controversial platform from its hosting servicestarting Sunday night. Apple and Google have also removed Parler from the App Store and the Play Store respectively, and a host of others have terminated their business with Parler. While Parler’s CEO and founder, John Matze, is currently crying censorship and eschewing responsibility for the Capitol riot, it’s worth revisiting what he told CNBC when inquired about the presence of bad actors on the platform, stating that they represent “a minute percentage” of the app’s user base and that they won’t be a “long-term problem.”
Yikes.
RELEASE: Every Parler post made during the 06/01/2021 US Capitol riots. https://t.co/YUl8CtFPw8 (batches of 100k URLs, for archival purposes)
In the wake of these events, an Austrian hacker and researcher, who goes by @donk_enby on Twitter, has managed to scrape over 80TB of unprocessed data from Parler’s servers, including 1,098,552 video URLs. “These are the original, unprocessed, raw files as uploaded to Parler with all associated metadata,” she tweeted on Sunday, including the GPS coordinates of users at the time of filming these videos. She describes the event as “a bunch of people running into a burning building trying to grab as many things as we can”, which at the moment feels very apt, adding that “[t]hings will be available in a more accessible form later.”
Parler, with its user base of Trumpists, extremists, and QAnon truthers and pro-Trump financiers (like Republican donor Rebekah Mercer), is said to be among the platforms in the “alternative” digital ecosystem favored by the far-right mob that stormed Capitol Hill, in a farcical effort to overturn the results of the 2020 election, which led to five reported deaths. Through an exploit of Parler’s API, @donk_enby began archiving all posts from the day of the riot.
@donk_enby’s effort ultimately led to the capture of almost the entirety of the platform’s content from “Wednesday, most of Thursday and all of 3 days prior by the end of it”, successfully aggravating digital defenders of “free speech”, whose definition of the term I suppose doesn’t include archiving for posterity. Such a leak would have interesting implications for several online subcultures prone to doxxing and harassing their political opponents, but, given the incriminating posts on the platform, this is hardly an attack on free speech.
For context, the only way one could previously verify their account on Parler was to give their social security number to the platform. Parler had apparently been using a free trial of identity and access management company Okta’s software, until the latter was publicly informed of this and promptly terminated Parler’s access, thus disabling the email and phone verification needed to create an account and allowing anyone to directly create multiple accounts. It seems that Parler, rather than protecting their users’ expression, screwed them over quite spectacularly.
A sample of the Parler posts scraped by @donk_enby.
This isn’t the first time a hacktivist has dug into Parler. In November, Kirtner, credited with founding Anonymous, claimed he acquired over six gigabytes of Parler user data from an unsecured AWS server. The following month, Kirtner was suspended from Twitter for posting, “I’m killing Parler and its fucking glorious”; his account remains suspended. Trump’s deplatforming caused much hoopla regarding platforms and censorship, with critics questioning the sinister implications of platforms intervening in such a way. Similarly, Parler, which created a reputation for itself as a sort of free speech utopia, but its ecosystem is hardly organic; its business model, per Matze, is premised on influencers attracting ad revenue.
Anyone with experience scraping online data is no stranger to its precarity and contingency; @donk_enby’s work is invaluable for researchers working on mis- and disinformation. Her important efforts are documented here.
Livre bilingue publié avec le soutien financier de l’Organisation internationale de la Francophonie
Pour accéder au livre en version html, cliquez ici Pour télécharger le PDF, cliquez ici (à venir). Pour commander la version imprimée au prix de 29 $ CAD ou de 29 euros (pour l’Europe), écrire à info@editionscienceetbiencommun.org
Acheter un livre, c’est nous soutenir et permettre à ceux et celles qui ne peuvent l’acheter de le lire en libre accès.
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Comment, au nom de la justice cognitive, préserver et valoriser les savoirs patrimoniaux et les langues des peuples autochtones du monde entier, souvent méconnus et ignorés ? La proposition de la chercheuse nigérienne Zeïnabou Assoumi Sow est de mettre en lumière un genre très populaire de la littérature orale peule : le conte. Ce livre est ainsi composé de 18 contes, présentés en langue peule et en français, recueillis auprès des Peuls Gaawooɓe, derniers pasteurs nomades de l’ouest du Niger. Ces contes sont accompagnés d’un guide de lecture puisant dans l’univers culturel de ce peuple sahélien, en particulier dans les représentations et la symbolique du bovidé et d’autres animaux.
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Noy, dow innde kiite potinol hakkeeji nder tewto anndal, reenirta, darjina ɗee annde tawaangaaje e ɗemle wurooje ɗe duuniyaaru fuu, ɓuri hewde ɗe anndaaka, ɗe caanaaka? Jiiɗe lugginɗinoowo annde mo Niijer Zeynabu Aasumi Soo ngoni watta nder yaynaare iri oo anndaaɗo sanne mo filla annde pillaaka mo fulɓe : taalol. Dewtere ndee ndelle no kawri taali 18, kokkaaɗi he fulfulde e he faransiire, keɓaaɗi to fulɓe Gaawooɓe, keddiiɓe nder egga hoɗaaɓe gorgal Niijer. Taali ɗin ɗowtiraama tinndinirde jannde ƴoogunde nder weeyo finaa-tawaa mo ngool lenyol ngol saahel, ɓurde fuu no nagge e kulle ɗeya nji’iretee e ko ɗe coomi.
***
ISBN version imprimée : 978-2-924661-99-4 ISBN PDF : 978-2-924661-97-0 ISBN ePub : 978-2-925128-03-8
DOI : à venir 250 pages Couverture réalisée par Kate McDonnell, photographie de Patrick Delmas à Diffa Date de publication : Janvier 2021
Décoloniser les sciences sociales. Descolonizar las ciencias sociales.
Six textes d’Orlando Fals Borda, choisis et traduits sous la direction de Liliana Diaz (Université Laval) et Baptiste Godrie (CREMIS et Université de Montréal)
Pour accéder au livre en version html, cliquez ici
Pour télécharger le PDF, cliquez ici (à venir).
Pour commander la version imprimée au prix de 29 $ CAD ou de 29 euros (pour l’Europe), écrire à info@editionscienceetbiencommun.org
Acheter un livre, c’est nous soutenir et permettre à ceux et celles qui ne peuvent l’acheter de le lire en libre accès.
***
Seis textos de Orlando Fals Borda, seleccionados y traducidos bajo la dirección de Liliana Diaz y Baptiste Godrie
Comprar un libro significa apoyarnos y permitir que aquellos que no pueden comprarlo lo lean en acceso libre.
***
Avec Paulo Freire, Orlando Fals Borda (1925-2008), est l’un des pères fondateurs des approches décoloniales latino-américaines en sciences sociales. Pourtant, alors que le premier est une figure familière du paysage des sciences sociales francophones, le second est quasiment inconnu. Cette anthologie francophone, la première à ce jour, propose cinq textes, publiés entre 1968 et 2003, en plus d’une conférence inédite prononcée en 1966. Elle vise à présenter la proposition épistémologique de Fals Borda d’une science latino-américaine émancipée des cadres théoriques européens et nord-américains, et orientée vers la production partagée des connaissances entre universitaires et mouvements sociaux pour favoriser la transformation de la société vers une plus grande justice sociale. Chaque texte est présenté dans sa version espagnole originale et dans sa traduction française, avec une brève mise en contexte permettant de situer celui-ci dans l’œuvre de l’auteur. Une introduction présente la thématique de l’anthologie et la trajectoire intellectuelle de Fals Borda.
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Junto con Paulo Freire, Orlando Fals Borda (1925-2008) fue uno de los padresfundadores de los enfoques descoloniales latinoamericanos en las ciencias sociales. Sinembargo, mientras que el primero es una figura familiar en el panorama francés de lasciencias sociales, el segundo es casi desconocido. Esta antología francófona, la primera hasta la fecha, ofrece cinco textos publicados entre 1968 y 2003, además de una conferencia inédita realizada en 1966. Su objetivo es presentar la propuesta epistemológica de Fals Borda de una ciencia latinoamericana emancipada de los marcos teóricos europeo y norteamericano, y orientada a la producción de conocimientos compartida entre los académicos y los movimientossociales para promover la transformación de la sociedad hacia una mayor justicia social. Cada texto se presenta en su versión original en español y en su traducción al francés, conuna breve contextualización que permite ubicarlo en el trabajo del autor. Una introducción presenta el tema de la antología y la trayectoria intelectual de Fals Borda.
ISBN version imprimée / edición impresa : 978-2-924661-99-4
ISBN PDF : 978-2-924661-97-0
ISBN ePub : 978-2-925128-03-8
DOI : à venir
238 pages
Couverture réalisée par Kate McDonnell, photographie tirée de ce documentaire sur Youtube : https://www.youtube.com/watch?v=TfaZNTrfSNQ
Date de publication : septembre 2020
DOI : pronto
230 páginas
Portada dirigida por Kate McDonnell, fotografía de este documental en Youtube: https://www.youtube.com/watch?v=TfaZNTrfSNQ
Fecha de publicación: septiembre de 2020
Climate Chaos. Making Art and Politics on a Dying Planet Neala Schleuning Formulates an anarchist aesthetics exploring what art can mean in and do in the Anthropocene Kant sought to contain the ancient fear and terror of the natural world in his concept of the sublime. He argued that with human reason we could safely confront an uncontrolled and powerful … Continue reading →
‘This remarkable collection is the first major portrait and assessment of the social and technical relationalities that constitute the ecology of big data in India today. Equally remarkably, the authors represent the first generation of scholars of digital media who speak through an Indian lens while being totally conversant with the cutting edge of global scholarship on big data.’ — Arjun Appadurai, Goddard Professor of Media, Culture, and Communication, New York University
‘Wide-ranging and incisive, Lives of Data is essential reading for those who wish to understand the seductions and contingencies of being or becoming data-driven.’ — Lisa Gitelman, author, Paper Knowledge and editor, ‘Raw Data’ Is an Oxymoron
Lives of Data maps the historical and emergent dynamics of big data, computing, and society in India. Data infrastructures are now more global than ever before. In much of the world, new sociotechnical possibilities of big data and artificial intelligence are unfolding under the long shadows cast by infra/structural inequalities, colonialism, modernization, and national sovereignty. This book offers critical vantage points for looking at big data and its shadows, as they play out in uneven encounters of machinic and cultural relationalities of data in India’s socio-politically disparate and diverse contexts.
Lives of Data emerged from research projects and workshops at the Sarai programme, Centre for the Study of Developing Societies. It brings together fifteen interdisciplinary scholars and practitioners to set up a collaborative research agenda on computational cultures. The essays offer wide-ranging analyses of media and techno-scientific trajectories of data analytics, disruptive formations of digital economy, and the grounded practices of data-driven governance in India. Encompassing history, anthropology, science and technology studies (STS), media studies, civic technology, data science, digital humanities, and journalism, the essays open up possibilities for a truly situated global and sociotechnically specific understanding of the many lives of data.
Lives of Data is edited by Sandeep Mertia. He is a PhD candidate at the Department of Media, Culture, and Communication and Urban Doctoral Fellow at New York University and he is an ICT engineer by training, and former Research Associate at The Sarai Programme, Centre for the Study of Developing Societies, Delhi.
As we come to the end of this year, it is with great pride that we look back at the many exciting things that have happened here at OBP in 2020!
From great new open access titles, to innovative publications, new series and exciting projects, this has been a remarkable year for us.
Keep reading to find out more about all we have been doing this year!
Announcements
Proud to be in SE's top 100
COPIM project update
Open Access Books Network
Global usage statistics
Books, libraries and content
New OA publications
Our 2020 OA series
New Library Members
Interviews and videos
New blog posts
People
Our team members
Our volunteers
What our authors say about us
This year we have been listed once again among the top 100 social enterprises in the NatWest SE100! This award celebrates the growth, impact and resilience of social ventures in the UK by recognising the most impressive 100 social enterprises of the year. You can read more about this here.
The COPIM (Community-led Open Publication Infrastructures for Monographs) project, in which OBP has a key role, has made great strides in its first year, with highlights including the creation of an Open Dissemination System, called Thoth, to improve the discoverability of Open Access books, and a new business model, called Opening the Future, which is being put into practice with the Central European University Press, along with a wealth of scoping reports and workshop interviews that have informed the work of the project on multiple fronts. A detailed summary of COPIM's first year is available here.
Our major outreach project this year has been the development of the Open Access Books Network, which began life last year at the ElPub conference. This year Lucy Barnes and Agata Morka, in collaboration with Tom Mosterd at OAPEN, have developed a group on Humanities Commons as a focal point for the Network (including discussion boards, a blog, a community event calendar and a repository of documents on OA books) and held a number of online events.
If you are not already a member, we warmly invite you to join the group!
Our Open Access titles are available on a number of different platforms, and readers have multiple ways of accessing them. Collecting and collating usage statistics for our books is challenging, and clearly any data reported will be at the lower end of ‘true’ usage, as we are unable to obtain data from all platforms.
However, here at OBP we bring you one more year our global report on readership organised by continent, country and platform. As always, we have collected book-level usage data from the following sources: OBP’s Free Online PDF Reader; OBP’s Free HTML Reader; free ebook downloads from OBP; Google Play; and visitors to our titles hosted on Google Books, OpenEdition, WorldReader, OAPEN and the Classics Library. To find out more about the data we have been collecting and how the process of retrieving this information works, please visit our page on how we collect our readership statistics.
This 2020, when the access to OER was key to most institutions, academics, researchers and users everywhere, we welcomed readers from 234 different countries, states and territories (15 countries more than in 2019!), confirming that our titles have worldwide reach. The United States, United Kingdom, India, Phillipines and Canada are on the top 5 this year, followed by Germany, Australia, South Africa, France, Italy and China. We look forward to having an even bigger global impact in the years ahead.
In our percentage of readership by continent, Europe is in first place with 35.4% of our total readership, followed by North America with a 30.8% and Asia with a 20.6% (2.6% more accesses than the ones registered for this continent in 2019). We have also noticed an increase of a 1.8% in the accesses from Oceania since 2019 as well as in the ones from South America that have grown a 1.4% in comparison with the data collected for 2019.
Finally, we're happy to report that 60% of the total readership we receive comes trough our own website, followed by other platforms to which we distribute our Open Access titles such as Google Books, OAPEN, Open Edition and Worldreader.
Thank you so much for accessing, reading and sharing our titles. It is thanks to the support shown by our readers, our member libraries and our authors that we can keep working towards a fairer publishing landscape!
This year we have published a total of 37 books, which exceeds any previous year! We have not only released fantastic new titles both from first-time and returning authors but also four new textbooks and a number of enhanced editions of previously published books.
This year we have published a total of 37 books, which exceeds any previous year! We have not only released fantastic new titles both from first-time and returning authors but also four new textbooks and a number of enhanced editions of previously published books.
Creative Multilingualism: A Manifesto Katrin Kohl, Rajinder Dudrah, Andrew Gosler, Suzanne Graham, Martin Maiden, Wen-chin Ouyang and Matthew Reynolds (eds.)
In 2020, we have announced a number of new series all of which are open for proposals, so feel free to get in touch if you or someone you know is interested in submitting a proposal!
Cambridge Semitic Language and Cultures is a new book series in collaboration with the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. This series includes philological and linguistic studies of Semitic languages, editions of Semitic texts and works relating to the cultures of Semitic-speaking peoples. Titles in the series will cover all periods, traditions and methodological approaches to the field. The editorial board comprises Geoffrey Khan, Aaron Hornkohl, and Esther-Miriam Wagner.
The Global Qur'an is a new book series that looks at Muslim engagement with the Qur’an in a global perspective. We publish studies that focus on the translation and interpretation of the Qur’an or on the social, cultural, pedagogical, aesthetic, and devotional place of the Qur’an in Muslim societies worldwide. We particularly encourage comparative studies, investigations of transregional dynamics, and interactions between local and global contexts. Contributions from scholars outside Western Europe and North America are especially welcome.
This book series publishes high-quality monographs, edited volumes, handbooks and formally innovative books which explore the relationships between mathematics education and society. The series advances scholarship in mathematics education by bringing multiple disciplinary perspectives to the study of contemporary predicaments of the cultural, social, political, economic and ethical contexts of mathematics education in a range of different contexts around the globe.
Global Communications is a new book series that looks beyond national borders to examine current transformations in public communication, journalism and media. Books in this series will focus on the role of communication in the context of global ecological, social, political, economic, and technological challenges in order to help us understand the rapidly changing media environment. We encourage comparative studies but we also welcome single case studies, especially if they focus on regions other than Western Europe and North America, which have received the bulk of scholarly attention until now.
A textbook in ethics designed primarily for students should have four main focal points: exposing students to normative moral theories, the history of ethics and ethicists, the nature and major contents of applied ethics, and exposing students to the analysis of moral terms and questions of moral validation in meta-ethics. However, what is currently available in this regard are texts that provide a one-sided and narrow narrative of these focal points: the Western narrative. As it is becoming more obvious in academic philosophy such hegemony of knowledge in any area of philosophy is not only a fraud and disservice to humanity – deliberately or non-deliberately – but also results in the poverty of knowledge. This book is a bold attempt to remedy this and provide a comprehensive and broad perspective of ethics to undergraduate students.
The Medieval Text Consortium is an association of leading scholars aimed at making works of medieval philosophy available to a wide audience. Our goal is to publish peer-reviewed texts across all of Western thought between antiquity and modernity, both in their original languages and in English translation.
Since January 2020, 39 libraries from all around the world have joined our membership scheme and in so doing they have supported our Open Access publications and helped us in our quest towards making academic research available to everyone, everywhere in the world. We wholeheartedly thank all the institutions who have decided to become a member as well as those who have renewed their membership from previous years - the support we receive from libraries is vital to help us continue our work!
These are the libraries that joined our membership scheme in 2020:
University of Graz Gothenburg University University of Jyväskylä University of Adelaide University of Arizona McMaster University Tilburg University Canterbury Christ Church University TU Berlin Rollins College Harvard University Open Universiteit Nederlands University of Kentucky The University of British Columbia Library University of Central Lancashire University of Eastern Finland Liverpool John Moores University York St John University University of Salford Queensland University of Technology Humboldt-Universität zu Berlin Mount Royal University George Washington University The National Library of Finland UiT The Arctic University of Norway La Universidad Latinoamericana de Ciencia y Tecnología University of Bielefeld Royal Danish Library Georg-August-Universität Göttingen Prifysgol Bangor University Heinrich-Heine-University (HHU) of Dusseldorf Universitäts- und Landesbibliothek Bonn Middlesex University Universitetet i Agder Catholic University of Zimbabwe African Institute for Mathematical Sciences (AIMS) Johns Hopkins University York University
You can find the full list of current members here and the list of benefits here. Free membership for libraries in Economically Developing Countries. If you are a librarian at a university or library in a such a country, and would be interested in receiving more information on how to become a member, please contact us at libraries@openbookpublishers.com
Lucy Barnes is responsible for copy-editing, proof-reading and indexing. She undertakes outreach work for OBP (speaking at universities, conducting webinars, writing blogs and articles, presenting at conferences and recording podcasts) and for the COPIM project. She is a lead member of the Open Access Books Network. She is also (slowly) completing her PhD at the University of Cambridge, studying nineteenth-century theatrical adaptations of novels and poetry.
Editors
Adèle Kreager is undertaking a PhD in Anglo-Saxon, Norse and Celtic at the University of Cambridge, studying identity and transformations (corporal and mental) in Norse literature. Her research interests include the mobility and agency of ‘inanimate’ objects in Old Norse and Old English literature; landscape as text; and the legibility of bodies in the medieval imagination.
Melissa Purkiss holds a PhD in Medieval and Modern Languages from the University of Oxford, where she completed her thesis on French and Russian influence in the works of the émigré writer Gaito Gazdanov and lectured on nineteenth- and twentieth-century Russian literature. She is responsible for editorial and production tasks at OBP.
Book Production, Digital Product Development and Illustration Manager
Luca Baffa received an MLitt in Publishing Studies in 2013 from the University of Stirling. He is responsible for producing the various editions of our titles, including typesetting and generating the files for print and digital editions.
Book Production, Digital Product Development and Illustration
Bianca Gualandi received an MA in Digital Humanities in 2013 from King's College London. She develops digital publishing workflows for us, and specialises in print and digital book production. Bianca works independently and assists OBP on selected projects.
Francesca Giovannetti received an MA in Digital Humanities from King's College London in 2015. She specialises in print and digital book production, digital scholarly editing and digital text technologies. Francesca works independently and assists OBP on selected projects.
Cover Designer
Anna Gatti, a free-lance artist and photographer, currently studying towards a BA in History, Politics and Economics at UCL, University of London.
Software Development
Javier Arias is a software engineer developing open source software at OBP. He is currently leading the development of Thoth, the Open Dissemination System funded by the COPIM project. He has previously worked on the HIRMEOS project, the open usage metrics collection system that powers our readership stats, funded by Horizon 2020, the EU Framework Programme for Research and Innovation. He is undertaking an MSc in Software Engineering at the University of Oxford.
Ross Higman is a software engineer working on the Open Dissemination System for the COPIM project. He has previously developed software for telecommunications networking and air pollution modelling, and worked as an editorial assistant. He holds an MPhil in Linguistics from the University of Cambridge.
Marketing and Library Relations
Laura Rodríguez holds an MPhil in Medieval Literature at the University of Cambridge. Her research interests include medieval pastoral care, women's studies, religious history, and cycle drama. Laura is in charge of marketing, library relations and distribution.
European Co-ordinator for Open Access Books
Agata Morka holds a PhD in Architectural History from the University of Washington, where she completed her dissertation on contemporary French train stations. For the past nine years she has been working with OA books. She is responsible for coordinating efforts between two European projects focusing on OA monographs: the OPERAS-P and the COPIM projects. She is a lead member of the Open Access Books Network.
At OBP, we offer direct training placements in all aspects of Open Access publishing, free of charge. We provide placements to individuals, as part of university courses such as the MSt in Creative Writing at the University of Oxford, and to other Open Access publishers such as UGA Editions and Firenze University Press. However, we also welcome volunteers of different levels of skill and experience who want to work with us either at our Cambridge office or remotely.
This 2020 we have had the pleasure of working along some great volunteers and we would like to take this opportunity to thank them for all their help and hard work - we strongly appreciated their support and assistance!
Jung Ying Mach Christopher Hubbard Domenic Rotundo Tabitha Bardsley Tamara Prieto Anna Mullock Marie Hawkins Sarah Jay Yinuo Meng Hannah Godfrey Laken Brooks Natalie Ansell Ravita Luther Rosalyn Sword
If you or someone you know would like to have the opportunity to try a range of key publishing aspects, including marketing, editorial and text-formatting tasks in a non-corporate environment, please contact Alessandra Tosi.
You have a wonderful staff at OBP: everyone I've dealt with has been supportive, friendly, efficient, and helpful. You all have managed to make what could be a nerve wracking experience into a remarkably pleasant and stress-free one. It's been a real treat working with you.
OBP turns out beautiful volumes, beautiful with respect to both typography and illustrations. And it works swiftly. Production takes place in maximum consultation and cooperation with the author. I have found the editors knowledgeable, skillful, and forbearing. And finally, working with Roger Paulin has been a privilege and a gift. In effect, OBP has offered invaluable support to my efforts.
—Flora Kimmich, independent scholar and translator of Maria Stuart
On behalf of the Creative Multilingualism Team, I should like to thank you very much indeed for all your expertise, advice, flexibility, responsiveness and hard work on our volume! We’re delighted with it. It constitutes an ideal embodiment of our 4-year research project, and we’re enormously grateful to you for having enabled us to bring it to fruition in this beautiful form.
In the last 50 years, academic publishing has been invaded by for-profit businesses. Academics donate their research and their refereeing services to these companies, who then lock up the research and sell it back to the academy at prices that are usually high and sometimes stratospheric. Appalled by this invasion, in the mid-2000s I was a member of a group of economic theorists that founded an Open Access journal, Theoretical Economics, and I served as the editor of that journal for several years. I remain devoted to the principle that academic research should be freely available, and am delighted that Open Book Publishers has published Models in Microeconomic Theory.
I'm convinced that open access is the future of academic publishing. I hadn't expected that the process would be as disciplined or that the product would be as elegant. I wish all my previous books had been published this way.
“Dopamine is the metaphor of our age,” says Geert Lovink in ‘Sad by Design’ (2019). We seek instant gratification. Online shopping fulfills our wildest and most superficial desires in a few clicks. Not only by buying (useless) stuff, but also in finding attention, likes, and, when we are completely overstimulated, in finding peace with mindfulness, yoga, or completely ‘off the Wi-Fi grid’ in nature. Disrupt and Reflect examines the economies behind the internet where our short-term needs are constantly being triggered and our impulse control is constantly being tested.
Disrupt and Reflect is a web project that is alternately extremely over-stimulating and very calming. It is a collection of creative and critical reflections in which, at different tempos, the viewer becomes part of the mechanisms of acceleration and stillness as they are currently occurring in our digital society. The online project consists of talks and artist presentations, accompanied by video interviews with the participants. Disrupt & Reflect is a collaborative project with the research track Post-Digital Cultures at Fontys University of Applied Sciences.
When everyone is always connected, disconnection and quietness is a scarcity. Less distraction, less incentives, more human attention. Of course, ‘less of more’ also makes money: technologies that regulate your internet use, Wi-Fi-free cafes, technology-free retreats and spas; the web is full of solutions for those suffering an information overload. The burnout industry is booming. Click – click – click – I just bought another self-help guide that promises a better, more efficient version of me. Digital detox has become a mainstream sales strategy where human contact is considered a luxury item. And due to COVID-19 we have all become screenagers, we have all experienced moments of digital fatigue, and a lack of real human touch and dopamine shots. Have a monetized hug by watching ‘~Cozy~ Hugs & Kisses ASMR ’ (633.998 views) on YouTube.
For this project we commissioned artists and theorists to critically and creatively reflect on how these apparently opposite modes of ‘overdrive’ and ‘nothingness’ behind the internet and digital technologies work. Their contributions are accompanied with random roulette interviews. How can we create a more nuanced understanding of the overwhelming influence of digital technology and the human capacity to deal with it in a healthy way? How can we come up with smart solutions that do not continuously take our self-discipline to the test? How can we escape the attention economy?
’ (633.998 views) on YouTube.